Reviews

Montreal artist Chris Quesnel steps into a new era with “ Dance in the Bar ,” an original single released November 7, 2025, born from real-life serendipity and shaped by a team that knows how to bottle nostalgia without sounding dated. Co-produced with Fushi Agato and mixed by Jean-François Vézina, the song carries the unmistakable fingerprints of early-2000s alternative rock and arrives dressed in the polished sheen of today’s indie-pop energy. Inspired by a chance encounte

I, Captain return with " The News ", a compact EP that feels less like a headline grab and more like a late-night broadcast tuned just off the dial. Across four tracks, the band stitches together grit, groove, and attitude, creating a release that thrives on its raw edges. It’s a project that doesn’t ask for attention—it earns it through feel, texture, and an unfiltered sense of momentum. Sonically, the EP leans into a looser, more blues-soaked palette than some of I, Captai

Harry Bertora’s “You and I ” arrives like a late-night drive through neon-lit streets, where memories glow brighter than the road ahead. Built as an EP, the release immediately establishes its own atmosphere—intimate, cinematic, and gently immersive. Rather than chasing trends, Bertora leans into a timeless emotional space, inviting the listener to slow down and sink into a sound world that feels both familiar and freshly imagined. Musically, the project floats between synthw

Audrey Saparno steps into the spotlight with “ The One I Need ,” a song that doesn’t demand attention so much as quietly earns it. From the first notes, there’s a sense of restraint and trust—trust in space, in silence, and in the listener’s willingness to lean in. Rather than chasing grand gestures, the track thrives on subtlety, unfolding like a private thought spoken aloud for the first time. At the heart of the song is longing, but it’s expressed with maturity rather tha

Poison Oak return with “ Replay ,” a track that captures a band firing on all cylinders. The Townsville-based rockers blend indie brightness with punk-driven intensity, delivering a sound that feels both spontaneous and deliberate. From the first note, the song moves with urgency—catchy without feeling overproduced, emotional without tipping into excess—demanding attention and repeat listens. The song’s strength lies in its sense of movement. Shimmering guitar work intertwin

“ Falling Apart ” unfolds like a fracture you can hear, a song that collapses inward rather than explodes. Undergone set the tone immediately with dense, overdriven guitars and restless percussion, creating a sense of pressure that never fully releases. At the center is Wiktoria Borecka’s vocal performance — fragile yet ferocious — drifting through the mix as if suspended between restraint and surrender. Her delivery feels intimate and exposed, carrying an emotional weight t

My Lovely Haunting emerge as architects of atmosphere, shaping songs that feel less written than discovered. The Melbourne duo summon a world where sound drifts like fog through empty streets, guided by voices that seem to hover just out of reach. Their music carries a strange intimacy, as if each note were whispered from another time, drawing the listener into a space where emotion outweighs form and mood becomes the message. " Forgotten Moon ", their debut album, unfolds

" Ugly When You Love Me " arrives like a slow-burning warning signal, glowing with a kind of emotional heat that refuses to be softened or sweetened. Exzenya steps into this new release with a sharpened sense of purpose, drawing from the darker edges of electronic pop to excavate the moment when affection turns corrosive. Rather than painting heartbreak in familiar colors, she frames this experience as an awakening—one that cracks through denial with unsettling clarity. From

Under a wide, imagined sky, “ Same Moon Tonight ” arrives like a soft exhale after a long journey. Eddie Witz and Smiddy Witz don’t rush this song—they let it unfold gently, as if the listener is being invited into a private moment rather than a performance. There’s a cinematic patience to the way the track opens, setting a reflective mood that immediately centers on intimacy, presence, and emotional truth. What makes the song quietly powerful is the way two voices intertwin

Nourallah Brothers return from a quarter-century of silence with a holiday single that feels both intimate and disarmingly fresh. Emerging once again from their El Paso roots, Faris and Salim step back into the spotlight not with grand gestures, but with a quiet confidence shaped by time, distance, and the irreplaceable rhythm of family. Their new song, “ Christmastime ,” announces their reunion in shimmering colors, carrying the unmistakable glow of two voices rediscovering

Meewakching ’s “ Fonder ” arrives like a half-remembered dream, the kind that clings to you long after waking. From its opening moments, the track feels suspended in time—neither fully rooted in the past nor comfortably present—capturing that fragile space where affection survives absence. There’s an unspoken intimacy here, a sense that every note is reaching for something just out of grasp, making the listener lean in rather than sit back.The songwriting thrives on emotional

Emerging from Glasgow’s dynamic music scene, Lynney Williamson is set to unveil her latest single, " STARS ", a luminous entry into the world of dream-pop. The track immediately immerses listeners in a swirl of ethereal soundscapes, where soft synth layers intertwine with delicate guitar motifs. Williamson’s voice, both haunting and tender, serves as the perfect conduit for the song’s exploration of unspoken emotions and the quiet ache of feeling overlooked in love. It’s a s