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Top Songs
Weekly Findings
"Juicy Boom" by Things Change
Things Change make their entrance with “ Juicy Boom ” like a spark striking dry ground—sudden, bright, and impossible to ignore. From the first moments, the single announces itself as a rock statement with intent, the kind of track that doesn’t politely ask for attention but earns it through sheer presence. There’s an immediacy here that feels timeless, recalling why rock music still thrives when it’s driven by urgency rather than excess. What truly elevates the song is the
"Dance in the Bar" by Chris Quesnel
Montreal artist Chris Quesnel steps into a new era with “ Dance in the Bar ,” an original single released November 7, 2025, born from real-life serendipity and shaped by a team that knows how to bottle nostalgia without sounding dated. Co-produced with Fushi Agato and mixed by Jean-François Vézina, the song carries the unmistakable fingerprints of early-2000s alternative rock and arrives dressed in the polished sheen of today’s indie-pop energy. Inspired by a chance encounte
"The Miseducation of MMA Volume 3" by David Potter
David Potter , the Whippany-based MMA personality turned satirical rapper, returns with a knockout of a finale in " The Miseducation of MMA Volume 3 ", released on September 26, 2025. Known for pushing the boundaries between combat sports commentary and biting cultural parody, Potter doesn’t pull a single punch here. Teaming up with Broadway singers and musicians from country to R&B, this album spans martial arts and the arts at large. It’s fierce, funny, and fearless, bringi
“Burning” by The Sea At Midnight
“ Burning ”, the captivating title of The Sea At Midnight in collaboration with Chemical Waves, is a visceral cry against the continued destruction of the planet by humanity. Released on November 8, 2024, this song offers a powerful blend of dark rock and atmospheric intensity, embarking the listener on a journey through despair, awareness and a fragile glimmer of hope. Both a musical statement and a call to action, " Burning " captures with brutal honesty the urgency of the
“Natural Circle” by Richard Green
“ Natural Circle ,” a piano and string-led piece by Richard Green , Irene Veneziano, and Archima, brings listeners on a meditative, nearly four-minute journey of cyclical introspection. Closing out their 2024 EP, The Circle Closes, the track captures the essence of quiet resolution and calm, creating a soundscape that embodies both the ends and beginnings within life’s natural rhythm. Opening with a warm piano melody, the piece establishes a grounded theme that gently invites
“Disengaged b/w Slipping” by Delta of Venus
Delta of Venus makes a striking return with “ Disengaged b/w Slipping ,” their first release in two decades, blending nostalgia with modern innovation. This single showcases a captivating fusion of shoegaze and indie pop, all while embracing an unconventional approach to songwriting. The opening track, “ Disengaged ,” envelops listeners in a rich soundscape that feels both familiar and fresh. The lack of traditional verse-chorus structures creates a fluidity that mirrors the
"Dance in the Bar" by Chris Quesnel
Montreal artist Chris Quesnel steps into a new era with “ Dance in the Bar ,” an original single released November 7, 2025, born from real-life serendipity and shaped by a team that knows how to bottle nostalgia without sounding dated. Co-produced with Fushi Agato and mixed by Jean-François Vézina, the song carries the unmistakable fingerprints of early-2000s alternative rock and arrives dressed in the polished sheen of today’s indie-pop energy. Inspired by a chance encounte
Theo
"The Miseducation of MMA Volume 3" by David Potter
David Potter , the Whippany-based MMA personality turned satirical rapper, returns with a knockout of a finale in " The Miseducation of MMA Volume 3 ", released on September 26, 2025. Known for pushing the boundaries between combat sports commentary and biting cultural parody, Potter doesn’t pull a single punch here. Teaming up with Broadway singers and musicians from country to R&B, this album spans martial arts and the arts at large. It’s fierce, funny, and fearless, bringi
Theo
"Four Songs for Christmastime" by Hilgrove Kenrick
Some artists decorate the holidays with comfort and joy. Others reinterpret it. Hilgrove Kenrick does something far rarer: he expands the emotional and spiritual scope of Christmastime through choral writing that feels both ancient and startlingly contemporary. His new EP, “ Four Songs for Christmastime ,” marks the second installment of his growing Four Songs series, offering one of his most evocative and cinematic choral statements to date. Written for the newly formed cho
Theo
"The News" by I, Captain
I, Captain return with " The News ", a compact EP that feels less like a headline grab and more like a late-night broadcast tuned just off the dial. Across four tracks, the band stitches together grit, groove, and attitude, creating a release that thrives on its raw edges. It’s a project that doesn’t ask for attention—it earns it through feel, texture, and an unfiltered sense of momentum. Sonically, the EP leans into a looser, more blues-soaked palette than some of I, Captai
Theo
"You Were Never In Love" by The Red Lite District
The Red Lite District’s “You Were Never In Love ” arrives like a clenched fist through static, brimming with confrontation and emotional fallout. Emerging from Glasgow’s restless punk circuit, the band channel a fierce urgency that feels both street-level and sharply intentional. This single doesn’t ease listeners in; it detonates instantly, announcing itself as a declaration rather than a plea. There’s a sense that the band isn’t just performing a song, but purging something
Theo
"You and I" by Harry Bertora
Harry Bertora’s “You and I ” arrives like a late-night drive through neon-lit streets, where memories glow brighter than the road ahead. Built as an EP, the release immediately establishes its own atmosphere—intimate, cinematic, and gently immersive. Rather than chasing trends, Bertora leans into a timeless emotional space, inviting the listener to slow down and sink into a sound world that feels both familiar and freshly imagined. Musically, the project floats between synthw
Theo
"You’ll Do Fine" by Prem Byrne
Prem Byrne’s “ You’ll Do Fine ” arrives as a quietly powerful debut single, rooted in reassurance rather than spectacle. Framed within the adult contemporary space, the song doesn’t rush to impress; instead, it settles into a comforting presence, like a steady voice speaking at exactly the right moment. From the opening bars, there’s an unforced sincerity that signals this is music born from lived experience rather than calculation. The production is polished yet warm, allow
Theo
"There Will Be Light" by Karlie
Karlie ’s " There Will Be Light " arrives like a slow exhale after holding your breath for too long. From its opening moments, the track wraps itself around the listener with a luminous yet slightly restless energy, balancing comfort and confrontation in equal measure. It’s pop music that doesn’t chase instant gratification; instead, it patiently unfolds, inviting you into a space where vulnerability feels brave rather than fragile. The production leans into a sleek retro-fut
Theo
"The Miseducation of MMA Volume 3" by David Potter
David Potter , the Whippany-based MMA personality turned satirical rapper, returns with a knockout of a finale in " The Miseducation of MMA Volume 3 ", released on September 26, 2025. Known for pushing the boundaries between combat sports commentary and biting cultural parody, Potter doesn’t pull a single punch here. Teaming up with Broadway singers and musicians from country to R&B, this album spans martial arts and the arts at large. It’s fierce, funny, and fearless, bringi
"Four Songs for Christmastime" by Hilgrove Kenrick
Some artists decorate the holidays with comfort and joy. Others reinterpret it. Hilgrove Kenrick does something far rarer: he expands the emotional and spiritual scope of Christmastime through choral writing that feels both ancient and startlingly contemporary. His new EP, “ Four Songs for Christmastime ,” marks the second installment of his growing Four Songs series, offering one of his most evocative and cinematic choral statements to date. Written for the newly formed cho
"You Were Never In Love" by The Red Lite District
The Red Lite District’s “You Were Never In Love ” arrives like a clenched fist through static, brimming with confrontation and emotional fallout. Emerging from Glasgow’s restless punk circuit, the band channel a fierce urgency that feels both street-level and sharply intentional. This single doesn’t ease listeners in; it detonates instantly, announcing itself as a declaration rather than a plea. There’s a sense that the band isn’t just performing a song, but purging something
"You’ll Do Fine" by Prem Byrne
Prem Byrne’s “ You’ll Do Fine ” arrives as a quietly powerful debut single, rooted in reassurance rather than spectacle. Framed within the adult contemporary space, the song doesn’t rush to impress; instead, it settles into a comforting presence, like a steady voice speaking at exactly the right moment. From the opening bars, there’s an unforced sincerity that signals this is music born from lived experience rather than calculation. The production is polished yet warm, allow
BEST NEW MUSIC
"Dance in the Bar" by Chris Quesnel
Montreal artist Chris Quesnel steps into a new era with “ Dance in the Bar ,” an original single released November 7, 2025, born from real-life serendipity and shaped by a team that knows how to bottle nostalgia without sounding dated. Co-produced with Fushi Agato and mixed by Jean-François Vézina, the song carries the unmistakable fingerprints of early-2000s alternative rock and arrives dressed in the polished sheen of today’s indie-pop energy. Inspired by a chance encounte
"The News" by I, Captain
I, Captain return with " The News ", a compact EP that feels less like a headline grab and more like a late-night broadcast tuned just off the dial. Across four tracks, the band stitches together grit, groove, and attitude, creating a release that thrives on its raw edges. It’s a project that doesn’t ask for attention—it earns it through feel, texture, and an unfiltered sense of momentum. Sonically, the EP leans into a looser, more blues-soaked palette than some of I, Captai
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