Reviews

David Potter , the Whippany-based MMA personality turned satirical rapper, returns with a knockout of a finale in " The Miseducation of MMA Volume 3 ", released on September 26, 2025. Known for pushing the boundaries between combat sports commentary and biting cultural parody, Potter doesn’t pull a single punch here. Teaming up with Broadway singers and musicians from country to R&B, this album spans martial arts and the arts at large. It’s fierce, funny, and fearless, bringi

Some artists decorate the holidays with comfort and joy. Others reinterpret it. Hilgrove Kenrick does something far rarer: he expands the emotional and spiritual scope of Christmastime through choral writing that feels both ancient and startlingly contemporary. His new EP, “ Four Songs for Christmastime ,” marks the second installment of his growing Four Songs series, offering one of his most evocative and cinematic choral statements to date. Written for the newly formed cho

The Red Lite District’s “You Were Never In Love ” arrives like a clenched fist through static, brimming with confrontation and emotional fallout. Emerging from Glasgow’s restless punk circuit, the band channel a fierce urgency that feels both street-level and sharply intentional. This single doesn’t ease listeners in; it detonates instantly, announcing itself as a declaration rather than a plea. There’s a sense that the band isn’t just performing a song, but purging something

Prem Byrne’s “ You’ll Do Fine ” arrives as a quietly powerful debut single, rooted in reassurance rather than spectacle. Framed within the adult contemporary space, the song doesn’t rush to impress; instead, it settles into a comforting presence, like a steady voice speaking at exactly the right moment. From the opening bars, there’s an unforced sincerity that signals this is music born from lived experience rather than calculation. The production is polished yet warm, allow

Karlie ’s " There Will Be Light " arrives like a slow exhale after holding your breath for too long. From its opening moments, the track wraps itself around the listener with a luminous yet slightly restless energy, balancing comfort and confrontation in equal measure. It’s pop music that doesn’t chase instant gratification; instead, it patiently unfolds, inviting you into a space where vulnerability feels brave rather than fragile. The production leans into a sleek retro-fut

Goldie Scott ’s “ Sand & Stone ” arrives like a quiet revelation, unfolding with the patience of someone who has lived inside its questions for a long time. From the first notes, the song feels grounded yet restless, carrying the weight of memory while reaching toward something just out of frame. It doesn’t rush to make its point; instead, it lets atmosphere and feeling lead, inviting the listener into a deeply personal crossroads where longing and ambition coexist. Her voice

Rupert Träxler’s " The Journey " arrives less like a conventional single and more like a doorway quietly opening. From the first moments, the track establishes an intimate atmosphere, inviting the listener inward rather than outward, as if the music is unfolding in real time alongside one’s own thoughts. There is a sense of deliberate pacing here, a refusal to rush, which immediately separates the song from the urgency that dominates much of today’s release culture. What make

“ I’ll Follow Summer ” unfolds like a quiet passage of time rather than a conventional single, drawing the listener into a reflective atmosphere that feels both intimate and expansive. From its opening moments, Brandon Lee Adams creates a sense of stillness, allowing the song to breathe and settle naturally. There’s a gentle emotional pull at work, capturing the beauty found in change and the subtle ache that often accompanies it. The musical arrangement favors subtlety over

The stop-motion video for “ What’s Next? ” immediately feels less like a promotional clip and more like a guided tour through the inner life of Reduction in Force ’s Mike Mills. His music room pulses with movement and intention, transforming everyday objects into witnesses of a lifelong obsession. Every cassette, instrument, and faded photograph feels deliberately placed, not as decoration but as proof of a dream patiently cultivated over decades. This is not nostalgia for it

Shawnsosaucy ’s “ Flash Bang ” detonates with an immediacy that’s impossible to ignore, announcing itself like a burst of neon light cutting through a midnight skyline. From the opening moments, the track radiates confidence, pulling the listener into a glossy, high-voltage world where attitude and allure take center stage. It’s not just a song that plays in the background—it demands attention, thriving on boldness and unapologetic self-expression. The production, shaped by K

Marc Hundo emerges from Ohio with a quiet confidence that feels earned rather than assumed, and his latest single, “ Beat The Odds ,” marks a defining chapter in his ascent. There’s a palpable sense of self-belief embedded in the track, as if each bar is carved from personal experience rather than borrowed ambition. This release doesn’t arrive as a casual drop—it feels intentional, driven by an artist who knows exactly why he’s here and where he’s headed. What immediately di

Joe Hodgson’s " Fields of Redemption " is a bold, genre-defying cinematic journey that marries virtuosic guitar music with striking visual storytelling. Right from the opening, the film sweeps viewers into a universe where reality intertwines with imagination, following a quest shaped by love, loss, and relentless determination. Hodgson’s guitar doesn’t just accompany the story—it is the story, conveying emotion and tension with a nuance that words alone could never capture.